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Caspar David Friedrich On the Sailing Boat c. 1819
Oil on canvas,
71 x 56 cm
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Caspar David Friedrich The Sisters on the Balcony c. 1820
Oil on canvas,
74 x 52 cm
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Caspar David Friedrich Drifting Clouds c. 1820
Oil on canvas,
18,3 x 24,5 cm
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Caspar David Friedrich View of the Baltic c 1820-25
Oil on canvas,
34,5 x 44 cm
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Caspar David Friedrich Moonrise by the Sea c. 1821
Oil on canvas,
135 x 170 cm
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Caspar David Friedrich Morning in the Mountains 1822-23
Oil on canvas,
135 x 170 cm
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Caspar David Friedrich Village Landscape in Morning Light 1822
Oil on canvas,
55 x 71 cm
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Caspar David Friedrich Moonrise by the Sea c. 1822
Oil on canvas,
55 x 71 cm
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Caspar David Friedrich Meadows near Greifswald c. 1822
Oil on canvas,
34,5 x 48,3 cm
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Caspar David Friedrich Rocky Ravine 1822-23
Oil on canvas,
94 x 74 cm
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Caspar David Friedrich Evening c. 1824
Oil on cardboard,
20 x 27,5 cm
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Caspar David Friedrich Rocky Reef on the Sea Shore c. 1824
Oil on canvas,
22 x 31 cm
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Caspar David Friedrich The Cemetery Entrance 1825
Oil on canvas,
143 x 110 cm
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Caspar David Friedrich Graveyard under Snow 1826
Oil on canvas,
31 x 25 cm
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Caspar David Friedrich Zwei Manner in Betrachtung des Mondes mk181
1819
Dresden
Staatliche Kunstsammlungen
Gemaldegalerie
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Caspar David Friedrich Riesengebirge mk181
1810-11
Berlin
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Caspar David Friedrich Das Eismeer mk181
1823-24
Hamburg
Kunsthalle
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Caspar David Friedrich Winter Landscape with Church 1811 Oil on canvas, 33 x 45 cm
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Caspar David Friedrich ) The Chasseur in the Forest 1814 Oil on canvas, 66 x 47 cm
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Caspar David Friedrich The Sea of Ice 1824 Oil on canvas, 96,7 x 126,9 cm
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Caspar David Friedrich
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1774-1840 Caspar David Friedrich Locations German painter, studied art at Copenhagen, and in 1798 settled in Dresden. Friedrich painted chiefly landscapes and seascapes, with and without figures, architectural pictures, including a few of Dresden, and some religious subjects. Religious feeling and symbolism permeate his œuvre, of which the seascape with figures, Die Lebensstufen, is a characteristic example. He possessed considerable power to convey mood in landscape. Almost forgotten in the 19th c. and early 20th c., interest in his work increased considerably in the mid-20th c. He is hardly represented in Britain, but an exhibition of 112 of his pictures at the Tate Gallery in 1972 attracted much attention. F. G. Kersting was a friend of Friedrich.
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